I’ve posted my thoughts about Page 69 – supposedly representative of the novel as a whole, according to a theory, if it is one, proposed by Marshall McLuhan – on this site. It’s run by an engaging fellow called Marshal, too. Marshal Zeringue.

http://americareads.blogspot.com/2009/03/pg-69-jason-goodwins-bellini-card.html

In The Globe & Mail, Margaret Cannon writes:

 Jason Goodwin won an Edgar for The Janissary Tree, his first novel set in 19th-century Istanbul, featuring the eunuch, cook and investigator Yashim. It was a brilliant debut, followed by the equally fine The Snake Stone, but in The Bellini Card, Goodwin and Yashim really hit their stride.

There’s a sultan and a Bellini portrait, and the plot takes Yashim and his friend Palewski to Venice in all its slightly sultry, slightly tawdry glory. There is a murder, of course, and the suspects include faded aristocrats and a mysterious and very beautiful contessa. If you want to completely escape the chilly, dreary modern world, this is the book to take you away.

New in – this from Carol Memmott writing in USA Today:

Jason Goodwin’s series starring a eunuch detective serving the Ottoman Empire’s sultan is as much literary novel and historical fiction as it is a mystery. In The Bellini Card: Investigator Yashim Goes to Venice (Farrar, Straus and Giroux, 288 pp., $25), the eunuch Yashim and his friend Stanislaw Palewski, a Polish diplomat, tackle the assignment of discovering whether a rumored portrait of Mehmet the Conqueror by the painter Gentile Bellini exists and, if so, to buy it for the sultan. The investigation takes these clever, endearing detectives to Venice, where lucky readers are transported to a fascinating period in Venetian history.

And here’s the review from National Geographic’s Traveler magazine: 

A Venetian Journey by Don George

Bringing a contemporary city to life in words is an extraordinary enough challenge. But bringing a mid-19th-century city to life is infinitely more challenging. Edgar Award-winning mystery writer Jason Goodwin overcomes the challenge with vigor and grace in The Bellini Card, his third in a series of historical mysteries featuring the eunuch investigator Yashim, who serves the Ottoman court in 19th-century Istanbul. In this new book Yashim journeys to Venice at the behest of the new sultan to search for a legendary portrait of Mehmet the Conqueror, painted by Gentile Bellini. From its fast-paced dialogue to its interlacing political and social intrigues to its atmospheric depictions of Venetian life, The Bellini Card presents a riveting and revealing journey in time and space.

One question that kept popping up in Baltimore: when does The Bellini Card come out in the US?

Simple: next March. It’s got a gorgeous cover – I just saw it last week in NYC – and it is spotlessly proofed, too. The catalogue says:

INSPECTOR YASHIM TRAVELS TO VENICE IN THE LATEST INSTALLMENT OF EDGAR AWARD–WINNING AUTHOR JASON GOODWIN’S CAPTIVATING SERIES

Istanbul, 1840: the new sultan, Abdulmecid, has heard a rumor

that Bellini’s vanished masterpiece—a portrait of Mehmed the

Conqueror—may have resurfaced in Venice. Yashim, our eunuch

detective, is promptly sent to investigate, but—aware that the

sultan’s advisers are against any extravagant repurchase of the

painting—decides to deploy his disempowered Polish ambassa-

dor friend, Palewski, to visit Venice in his stead. Palewski arrives

in disguise in down-at-the-heel Venice, where a killer is at large,

as dealers, faded aristocrats, and other unknown factions seek to

uncover the whereabouts of the missing Bellini.

But is it the Bellini itself that endangers all, or something asso-

ciated with its original loss? And how is it that all of the killer’s

victims are somehow tied to the alluring Contessa d’Aspi d’Istria?

Will the Austrians unmask Palewski, or will the killer find him first?

Only Yashim can uncover the truth to the manifold mysteries.

Jason Goodwin’s first Yashim mystery, The Janissary Tree, brought

home the Edgar Award for Best Novel. His second, The Snake Stone,

more than lived up to expectations. In The New York Times Book

Review, Marilyn Stasio hailed it as “a magic carpet ride to the most

exotic place on earth.” Now, in The Bellini Card, Jason Goodwin

takes us back into his “intelligent, gorgeous and evocative” (In-

dependent on Sunday) world, as dazzling as a hall of mirrors and

utterly compelling. 

In the meantime, there’s the paperback of The Snake Stone, just out from Picador. 

Now I realise what Peter James was doing, tapping away quietly at his laptop in the Chesapeake Lounge: blogging. At the time I thought he must be working on his next book. I lack the facilities, but I’m home now and here goes.

For mystery writers and fans – not to mention agents, publishers, booksellers and editors – this is the Big Festival. There must have been more than 600 of us; authors on discussion panels running simultaneously throughout the day, book signings, lunches, suppers, parties and a slow descent toward the bar, like sand in an hour glass. By Sunday we were all hoarse. It was damn good fun.

Mark Billingham was the MC – and who better? A first rate writer who is also very very funny, he was there with his lovely wife, Clare – his agent, Sarah Lutyens, is an old friend and we went out to dinner at Mo’s, a seafood restaurant recommended by the hotel concierge. Not a touristy place, just a homely restaurant where locals like to eat, she assured us, while picking up the phone to summon the Mo’s Restaurant shuttle bus to come to the hotel. It was fine. I had lobster. I think it was frozen and shipped down from Maine.

Another night I ate out at the Black Olive with Stanley Trollip, one half of the Michael Stanley writing partnership; we sat at a pavement table in the quiet cobbled street in Fell’s Point and later roamed the district with the irrepressible Andrew Gulli (of Strand Magazine) and Peter James. There were a thousand bars, each catering to a different crowd – redneck, lesbian, bookish, juvenile, you name it. We couldn’t find one for us, so instead we went to inspect a house where Andrew had noticed an old man sitting immobile in front of a computer. The body was gone, and the lights were doused, so we could only assume foul play. I can’t imagine why.

It was important to get out of the hotel complex now and then; I saw the incomparable Walter’s Collection, where I inspected, among other things, some truly grisly Flemish 16th century momento mori – skulls, and a tiny boxwood Death with bones rattling and worms already at work on his trailing flesh. Then over to the Lexington Market for a round of quahog clams at a stand-up oyster shack: the real thing, folks. The largest, wettest and chewiest shellfish I’ve ever had. Fabulous.

Rob and Barbara Peters took me to the aquarium – the National Collection of fish, if you please – where we gawped at sharks at close range. And to complete the Baltimore boost, there was Rebecca Hoffburger’s American Visionary Art Museum that topped my bill: a moving, amusing, instantly accessible collection of ‘outsider’ art, things done with love, passion, obsessive compulsive disorders and sweet vision by people who fell into their medium almost by divine intervention. A twelve foot model of the Lusitania done with toothpicks. A pontiac cheerily embellished with blue medicine bottles, all over, except for a shrine in the boot which included an accordion. Automata. A figure of Elvis carved in the lead of a carpenter’s pencil. Sculptures of wound wool, each containing a stolen item, done by a kleptomaniac woman with Down’s Syndrome. A robot family, complete with dog, fashioned out of old hoovers, colanders and car parts, bleeping and nodding their heads. A very happy place, and an outstanding museum never to be missed by anyone.

That was outside the Convention; inside was even weirder, as you can imagine. Alison Gaylin had a girl vomit on her shoes and nobody so much as waived her bill. Arnaldur Idradason was on my panel, explaining how hard it was to write police procedurals in Iceland where the murder rate is one in twenty five years (though that may change if the Rejkyavik mob ever get their hands on the crooks who landed them in their current mess)…

Coincidence? Accident? Or merely the working out of the Zeitgeist?

I’ve seen this happen often. Oddly, it’s the one area of human affairs through which novelists must tread with caution: coincidence only works in real life.

When The Janissary Tree won the Edgar Award for Best Novel in NYC last year, I was in Glastonbury. This year, it’s The Snake Stone which has been nominated for a Macavity Award for the best Historical Mystery and the publishers – FSG/ Picador – are very sweetly shipping me out to Baltimore. The full list of nominees is here  http://www.mysteryreaders.org/macavity.html

Win or lose, it will be fun to be there – especially as I’m appearing on Saturday morning, the 11th October, on a panel chaired by Janet Rudolph. It’s called ‘Been Around the World’ and I’ll be talking alongside Charles Benoit (India, Thailand, Egypt),  Arnaldur Indridason (Iceland) and Michael Stanley (Africa). 

Barbara Peters will be getting a Lifetime Achievement Award – she runs the Poisoned Pen bookshop in Phoenix, and a huge lot more.