Category Archives: Istanbul mysteries

Judging a Book by its Cover III

Here’s the new Faber paperback cover, as promised. I think it’s great – and so, I’m glad to say, do the Waterstone’s bookshop people.

Over the past few weeks some really amazing artwork has come in – covers for The Snake Stone done by my publishers in Korea and Denmark and Russia. Also the Icelandic version of The Janissary Tree. I’ll have to get my eldest son to post them here, along with the other 38 or so covers around the world; but that’s already two books, so at least 76 covers. All of them individual, striking, different. Which goes to show that everyone’s vision is unique. And that, in turn, suggests that we are the product of our histories. Vive la difference!

Wake Up! It’s 1840!

I know, I know, who wants a blog that falls asleep for a couple of months? All I can say is that we need to live in the world, too – and get down to some hard writing when the winter festivities are cleared away…
Thanks to the delightful people who have written to say how much they enjoy the Yashim stories. Thanks too to Faber, who have come up with another cover for The Bellini Card, for the paperback edition which will be out this Spring. It’s a move away from the fruity orientalism of the Ventura artworks, which I really liked, and I’ll post it here asap. Promise.
Meanwhile the forthcoming US edition really goes to show what a difference close line-editing can make to an author’s pride, at the very least. And with that, I have to ackowledge my enormous debt to Enrico Basaglio, who read The Bellini Card for fun and made a note of all my mistakes… He’s a true Venetian, so he knows what’s what. I can’t thank him enough.
Back soon. In the meantime, here’s a piece I wrote for the FT on researching Venice:
http://www.ft.com/cms/s/2/b916dd3e-d6c7-11dd-9bf7-000077b07658.html

Bouchercon II

One question that kept popping up in Baltimore: when does The Bellini Card come out in the US?

Simple: next March. It’s got a gorgeous cover – I just saw it last week in NYC – and it is spotlessly proofed, too. The catalogue says:

INSPECTOR YASHIM TRAVELS TO VENICE IN THE LATEST INSTALLMENT OF EDGAR AWARD–WINNING AUTHOR JASON GOODWIN’S CAPTIVATING SERIES

Istanbul, 1840: the new sultan, Abdulmecid, has heard a rumor

that Bellini’s vanished masterpiece—a portrait of Mehmed the

Conqueror—may have resurfaced in Venice. Yashim, our eunuch

detective, is promptly sent to investigate, but—aware that the

sultan’s advisers are against any extravagant repurchase of the

painting—decides to deploy his disempowered Polish ambassa-

dor friend, Palewski, to visit Venice in his stead. Palewski arrives

in disguise in down-at-the-heel Venice, where a killer is at large,

as dealers, faded aristocrats, and other unknown factions seek to

uncover the whereabouts of the missing Bellini.

But is it the Bellini itself that endangers all, or something asso-

ciated with its original loss? And how is it that all of the killer’s

victims are somehow tied to the alluring Contessa d’Aspi d’Istria?

Will the Austrians unmask Palewski, or will the killer find him first?

Only Yashim can uncover the truth to the manifold mysteries.

Jason Goodwin’s first Yashim mystery, The Janissary Tree, brought

home the Edgar Award for Best Novel. His second, The Snake Stone,

more than lived up to expectations. In The New York Times Book

Review, Marilyn Stasio hailed it as “a magic carpet ride to the most

exotic place on earth.” Now, in The Bellini Card, Jason Goodwin

takes us back into his “intelligent, gorgeous and evocative” (In-

dependent on Sunday) world, as dazzling as a hall of mirrors and

utterly compelling. 

 

In the meantime, there’s the paperback of The Snake Stone, just out from Picador. 

imageviewer.asp.jpg

Bouchercon I

Now I realise what Peter James was doing, tapping away quietly at his laptop in the Chesapeake Lounge: blogging. At the time I thought he must be working on his next book. I lack the facilities, but I’m home now and here goes.

For mystery writers and fans – not to mention agents, publishers, booksellers and editors – this is the Big Festival. There must have been more than 600 of us; authors on discussion panels running simultaneously throughout the day, book signings, lunches, suppers, parties and a slow descent toward the bar, like sand in an hour glass. By Sunday we were all hoarse. It was damn good fun.

Mark Billingham was the MC – and who better? A first rate writer who is also very very funny, he was there with his lovely wife, Clare – his agent, Sarah Lutyens, is an old friend and we went out to dinner at Mo’s, a seafood restaurant recommended by the hotel concierge. Not a touristy place, just a homely restaurant where locals like to eat, she assured us, while picking up the phone to summon the Mo’s Restaurant shuttle bus to come to the hotel. It was fine. I had lobster. I think it was frozen and shipped down from Maine.

Another night I ate out at the Black Olive with Stanley Trollip, one half of the Michael Stanley writing partnership; we sat at a pavement table in the quiet cobbled street in Fell’s Point and later roamed the district with the irrepressible Andrew Gulli (of Strand Magazine) and Peter James. There were a thousand bars, each catering to a different crowd – redneck, lesbian, bookish, juvenile, you name it. We couldn’t find one for us, so instead we went to inspect a house where Andrew had noticed an old man sitting immobile in front of a computer. The body was gone, and the lights were doused, so we could only assume foul play. I can’t imagine why.

It was important to get out of the hotel complex now and then; I saw the incomparable Walter’s Collection, where I inspected, among other things, some truly grisly Flemish 16th century momento mori – skulls, and a tiny boxwood Death with bones rattling and worms already at work on his trailing flesh. Then over to the Lexington Market for a round of quahog clams at a stand-up oyster shack: the real thing, folks. The largest, wettest and chewiest shellfish I’ve ever had. Fabulous.

Rob and Barbara Peters took me to the aquarium – the National Collection of fish, if you please – where we gawped at sharks at close range. And to complete the Baltimore boost, there was Rebecca Hoffburger’s American Visionary Art Museum that topped my bill: a moving, amusing, instantly accessible collection of ‘outsider’ art, things done with love, passion, obsessive compulsive disorders and sweet vision by people who fell into their medium almost by divine intervention. A twelve foot model of the Lusitania done with toothpicks. A pontiac cheerily embellished with blue medicine bottles, all over, except for a shrine in the boot which included an accordion. Automata. A figure of Elvis carved in the lead of a carpenter’s pencil. Sculptures of wound wool, each containing a stolen item, done by a kleptomaniac woman with Down’s Syndrome. A robot family, complete with dog, fashioned out of old hoovers, colanders and car parts, bleeping and nodding their heads. A very happy place, and an outstanding museum never to be missed by anyone.

That was outside the Convention; inside was even weirder, as you can imagine. Alison Gaylin had a girl vomit on her shoes and nobody so much as waived her bill. Arnaldur Idradason was on my panel, explaining how hard it was to write police procedurals in Iceland where the murder rate is one in twenty five years (though that may change if the Rejkyavik mob ever get their hands on the crooks who landed them in their current mess)…

Bouchercon – the Macavity Awards

When The Janissary Tree won the Edgar Award for Best Novel in NYC last year, I was in Glastonbury. This year, it’s The Snake Stone which has been nominated for a Macavity Award for the best Historical Mystery and the publishers – FSG/ Picador – are very sweetly shipping me out to Baltimore. The full list of nominees is here  http://www.mysteryreaders.org/macavity.html

Win or lose, it will be fun to be there – especially as I’m appearing on Saturday morning, the 11th October, on a panel chaired by Janet Rudolph. It’s called ‘Been Around the World’ and I’ll be talking alongside Charles Benoit (India, Thailand, Egypt),  Arnaldur Indridason (Iceland) and Michael Stanley (Africa). 

Barbara Peters will be getting a Lifetime Achievement Award – she runs the Poisoned Pen bookshop in Phoenix, and a huge lot more.

Morning Edition

Ivan Watson, the NPR correspondent based in Istanbul, has found time between tracking the hostilities in Georgia and South Ossetia to edit the result of our exploration of Yashim’s city. It’s cooking, walking, and a few readings from The Janissary Tree and The Snake Stone. My favourite is the opening of The Snake Stone – which I read, in an increasingly loud voice, in competition with the muezzins.

 http://www.npr.org/templates/story/story.php?storyId=93572967

Getting out

Recently Barbara Nadel and I did a really enjoyable talk at Daunt’s Bookshop in Marylebone High Street. Lots of good questions – I found myself enumerating the advantages of Yashim’s unusual condition and could hardly stop…

Afterwards we rolled into a restaurant across the road called – is it kismet? – Topkapi. And the next day I was in Istanbul again.

One I’m really looking forward to is this weekend’s Crime and Mystery Conference at St Hilda’s College, Oxford, where I’m talking on Sex and the Single Detective. I think it’s called giving a paper… so I need to do some serious thinking before Sunday. Are all detectives really eunuchs? Discuss. The indefatigable and generous Natasha Cooper is in the chair.

Closer to home, I’m going to be in Weymouth at the library on Wednesday 10th September. 7.30pm. I remember Weymouth as a Mecca for secondhand books so I’ll be arriving early. And on September 15th I’ll be in London for the SW11 Festival, talking about Yashim and The Bellini Card.

October is the monster convention for crime writers and readers, Bouchercon, (pron. Bow-chercon) in Baltimore. It’ll be my first time in that city. It’s the same month that The Snake Stone comes out in paperback in the US. More details later.

Later that month, too, I’ll be in Sheffield for the Off The Shelf Festival – the 22nd, I think.

Hope to meet some of you then!

Cities

If you want to know the time, ask a policeman. If you want to know what makes a city tick, ask a crime-writer.

That’s how NPR – America’s answer to Radio 4 – are taking listeners to fascinating places around the world.

I think it’s a brilliant idea. Crime-writers  do explore their cities. Sometimes they define them – imagine a London without Sherlock Holmes at 221b Baker Street, or Los Angeles without Philip Marlowe. For several minutes, at breakfast-time in the summer holidays, you might hear Donna Leon strolling through Venice,  Robert P. Parker talking about Boston, Laura Lippman on Baltimore. It’s called ‘Crime in the City’ and it airs on Morning Edition.

So last week, while in Istanbul again, I spent a great day tramping the streets with NPR journalist Ivan Watson, visiting places and people I know, linking them to passages from the books.

We went underground, into the cisterns of Byzantine Constantinople. We went onto rooftops, with Istanbul spread below us. I did one reading about muezzins to the sound of the muezzins – and another, about the Spice Bazaar, to the sound of hucksters and shoppers in the Spice Bazaar. We talked about Yashim, and Istanbul, and the passage of history – and at the end of the day we went to a friend’s place and actually cooked imam bayildi the way Yashim might have done it, with an indecent amount of virgin oil.

It tasted delicious.

The segment runs the week of August 11th.